typeworship:

Typography Magazine:  The Recorder Issue 3

Limited Edition - Out Now

The Recorder is the original Monotype magazine dating back over 100 years. It has been redesigned and re-imagined to explore type’s role in today’s cultural context.

With over 100 pages on typography, typefaces and graphic design, issue 3 features:

• The sercets of stone carving, John Neilson delves into the ancient craft
• Jennifer Kennard explores how the history of banknotes is also the history of graphic design and printing
• Journalist Laura Snoad examines typefaces with a political agenda
• Amy Papaelias looks at how a new generation of women is carrying on the legacy of Beatrice Warde
• Angela Riechers examines the typographic impact of neon lettering
• British road signs designer Margaret Calvert selects her top ten favourite typefaces
• Plus a selection of must-read design titles from the past 6 months.

Order you copy here: The Recorder Issue 3

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Heroldberg / Branding / Proposal by Lazar Saric

thedsgnblog:

Criatipos    |    http://behance.net/Criatipos

“Cristina and Cyla painted a wall in Bushwick, Brooklyn, as a tribute to the great poet Paulo Leminski who would be 70 years old in August 2014. We are very grateful to our new friend Nev (No Entry Design), for all the support and contact with Livestream Public who gave us the opportunity to paint this mural at the corner of Morgan Ave & Stagg St.”

Criatipos emerged alongside the professional career of designers Cris, Cyla, Doo and Jack as a means to escape from the digital realm and to bring back handmade processes, blending work and fun to communicate in a unique approach.

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(Source: behance.net)

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The Swan & Mallard by John Randall

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Теоремы Пафнуция / Pafnucio. Theoremes. by Anna Bogonosova & Daniel Malkin

design-is-fine:

Paul Lang, design for cushions, from the magazine Deutsche Kunst und Dekoration, 1900. Germany. Via University of Heidelberg

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The Swan & Mallard by John Randall

culturenlifestyle:

Mathematical and Scientific Markings on Rustic Pottery by Laura C. Hewitt

Designed in rural Alaska, artist Laura C. Hewitt’s rustic, handmade pottery is influenced by the magic found within the mundane, nature and its pragmatic obscurity. Embossed with typographical mappings of the universe, mathematical formulas, and technological charts, Hewitt’s work pays homage to the dichotomy of the union between science and art.

Adorned with patterns, which include alpha numeric marks from vintage machinist punches and inlaid drawings reminiscent of maps, circuit board, astronomy and flow charts running into deeply carved organic river markings, each piece is unique.

Chronicling binary numbers, the distance from sun, the solar year and equatorial diameter of all planets, Ohm’s law, and the mapping of a circuit board among other technical formulas, each creation is Wheel thrown and hand carved. The vintage manual typewriter keys markings add a rustic and agrarian sensibility, which create a profound juxtaposition with the numerical values of technology in Hewitt’s pottery. You can find her entire collection in her Etsy shop.

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Logos by Tuğrul Peker

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pogrobek by Tynna Eugenia

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Massimo Vignelli Tribute by PFP, disseny gràfic

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Archer Hotel | Identity Project by Kortney Eggertz

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ASDA Redesign by Beth Fox-Fuller